Wednesday, April 10, 2013

In Memoriam: Joshua Watson


A year ago today I was teaching a community media production course at Georgia State for 14-18 year old young black men.  Beyond The Bricks purpose was to empower young men to seize control of the media images of their communities by giving them the tools (and encouraging the inclination) to tell their own stories.  We had fluctuated between 5 and 10 participants, but had dwindled down to two stalwart, committed young men:  Macio Thompkins and Joshua Watkins.  My co-teacher Chuck Barlowe Jr and I spent the rest of the semester in a sort of intensive mentoring relationship with these two young men.  Joshua missed the last week of the program because he had graduated from High School and had to start working immediately to help his family out and save for college...

On December 24th 2012, Joshua was murdered while sitting at a bus stop on his way home from work.

Joshua was smart and respectful, calm and responsible, diligent and focused.  He was a great young man and his death was a devastating loss for Atlanta.  He was one of those kids you think is definitely going to make it and do some good things in the world.  I didn't worry about Josh at all.  When I heard about his murder I balled all night.

Lost in all the gun talk are the human beings on both sides of the gun.  The mental illness it takes to kill another being so wantonly.  The loss of potential when a life is cut short.  Until we deal with the nihilism, isolation, detachment, and lack of empathy rampant in our society, the violence will not stop.

I pray for Josh.  I pray for his murderer.  I pray for us all.  We have a long way to peace.

Joshua's family has started a scholarship fund in his name and are organizing a benefit concert this Saturday April 13th at 5:30pm.  See the above flyer and please attend if you can.  Josh's potential to do good in the world isn't totally lost...

Thursday, March 21, 2013

Artstrike Reminisce

On the cusp of embarking on a new art and social change project (more on that later), I'm reminiscing about my work through 5D Stories on ARTSTRIKE, a collaborative effort of Rebuild the Dream, CultureStrike, and 5D Stories.  11 million web impressions in two days... wow!  Here's a CNN article by Van Jones about why we did it....


http://www.cnn.com/2012/12/19/opinion/jones-art-fiscal-cliff

Monday, February 18, 2013

Podcast from Write Club Victory!

Take a listen to the podcast of my first Write Club victory.  My subject:  Awake.

http://writeclubatlanta.com/write-club-atl-episode-69-sleep-awake/

Sunday, February 10, 2013

Mesmerized by Memories of Mardi Gras

In homage to Mardi Gras...

If you haven't been to Mardi Gras, go.  If you go, go past Bourbon Street.  In the below visual poem I tried to capture some of what it feels like in the streets of New Orleans during Mardi Gras.  There is one person in the shot.  Imagine that's you, dancing like no one is watching...

http://youtu.be/EVZVyE7k9Qw

It's hard living away from home where people's only orientation toward your city is Bourbon Street.  "New Orleans is the @sshole of America... It smells like p*ss and vomit," they say.  Well I don't boil Atlanta down to Magic City, New York to the East Village, or San Francisco to the Tenderloin so why would Bourbon Street represent all of New Orleans?

...And Mardi Gras is so much more than bare breasts for beads, f'd up frat boys looking for fights, and drinking till you are deaf, dumb, and disabled.  For New Orleanians, Mardi Gras is a time when you hop from house to house along parade routes and eat real meals homemade by culinary masters who could cook show chefs into a fetal position...  It's were children from pre-teen up get their first taste of freedom, wandering away from their families for miles at a time to witness the wildness that awaits them in pre-adulthood... where people play music and dance in the streets... where animals get dressed up to strut their stuff... where trees get decorated with beads for the rest of the year.

The next time you hear someone talking down about New Orleans because half the lights went out to save the Super Bowl from being a blowout, or because the French Quarter smells like the 300 year old river town it is, or because they heard about how dangerous it is in the Big Easy... you tell them "smoke a sausage and go see for yourself."

P.S.

This is a 5D Story...

1.  Words - Mass Transit Muse excerpts
2.  Sounds - Bingo Bango by Rebirth Brass Band
3.  Movement - Second Line footwork
4.  Visual - Rhythmic stop motion
5.  Interactive - your Mardi Gras experience in the comment section


Thursday, January 17, 2013

My victorious story from last night's Write Club Atlanta


I won!... and so did my charity 7 Stages Theater!  Here's the victorious story.

AWAKE

Until a few days ago, I thought insomniacs were a bunch of hypochondriacs… baggy-eyed, worriers and fear-fiends who just need a sufficient screw and a chill pill.  However, last Saturday I laid in bed all night without a whiff of rest and felt their pain.  I tried everything.  I counted sheep.

But I kept thinking, why sheep?  Couldn’t I count jumping mushrooms or flying turds.  I could count cherubs who fart speech bubbles that bark affirmations as they silently stink by. I could count b-boy beavers doing the centipede across my ceiling, each turning to me like (beaver face) “yo what’s up baby.”  I could count literally anything.  What I couldn’t do is figure out how practicing counting through creative visualization would do anything but laugh me awake at the infinitely silly possibilities.  And so I quickly abandoned this foolishness altogether.

Next I tried concentrating on the inside of my eyelids.  The purple swirl mesmerized me for a few seconds until I started seeing Rorschach expressions, shadowed eyes, animals snarling at me from inside my own eyelids.  I saw supernovas pulsing closer and closer, until bursting in a rainbow strobe.  I felt my eyelids fighting to fold back, quivering against my will.  Whose body is this anyway?  I let the bastard eyelids have their way and they popped open Carrie style.

So then I tried chanting om and felt vibration massage my chest and spill down into my roots.  It split at my legs and hummed down to the balls of my feet.  It felt goooood.  I visualized the atoms of my mass percolating like twerking trannies, grinding against each other like dry-humping pre-teens.  I remembered myself at 14 crouched behind Lolita, digging deep into my quads to get low enough to feel the plush curl of her bottom against my swelling crotch.  I felt a rousing tingle down there and took a break from trying to sleep.  The rest of this attempt, I spent in ways I may describe to one or a few of you over a drink some other day.

I tried deep breathing.  I tried 100 pushups.  I tried singing hush little baby.   I even prayed.  And then it hit me.  I’m a writer right.  So write!  I’m going to write a dream onto my consciousness, a deliberate dream so heavy that it pulls me down into the subconscious world of actual dreaming a la Inception.  I’m going to imagine an every-day scenario that takes some twisted turn into the surreal… with slightly familiar strangers, people I know I know but I can’t recognize.  I’ll be on a bus.  A purple, green and white oval bus… on hydraulics… bumping sly and the family stone If You Want Me to Stay.  The bus will have a story and a soul.  Her name will be Rita, St. Rita, the patron of lost causes and she will ride through New Orleans with a gold-toothed driver and an old woman named Tee Anne who propositions me.  And I will accept.   There will be an old man whose voice is black, visibly black behind decrepit teeth.  And we will rhyme every word we speak.  I’ll be at the bus stop waiting in the oppressive heat of August New Orleans like…

This damn heat is hoover dam heavy.  Every pore of my body is clogged with sweaty ooze.

I’m in the shade and still baking, still waiting for Rita:  the patron saint of lost causes.  She stays busy in this city that care forgot.  I should probably forget her but I cannot.   

A slow yawn stretches out my mouth and into the sun-seared syrup of the atmosphere.  My skin glistens, soaked in the steam rising from the cracked concrete beneath my feet.  Above, blue bits of sky leak between low hung clouds; grey white caps crested atop a sea of heat waves. 

I am bathed in August New Orleans, waiting for the Regional Transit Authority bus, Saint R(I)TA, my ride home.

Have you seen her?  She is a rolling porch from which we perch and witness the Central Business District to the city limits, Ghost Town to Bayou Sauvage.  She rolls white with purple, green and gold stripes like a Mardi Gras float.  Ain’t no better way to see the city unless the street’s flooded and you got a boat. 

And, thank the lord, here she goes, coming grumbling, farting smoke.  She hobbles and throttles to a stop with a choke.    Her hands, long and thin, fold open with a hiss.  Black rubber steps lead up to bliss; a heavenly cool.  I ascend and drop in a doubloon.

I moved to the back, drenched in the funk of the days fever.  There was plenty space between passengers and thank God for that.  Imagine being packed in like some booty on a pirate ship or piled on top each other like some hot coals in a barbeque pit.  Oh hell no.  If there is space, we gon take it.

Saint Rita ran through a burst of rain on Piety and stopped in the sun at Independence.  Big Easy weather is unfettered by logic or common sense. 

Then a baby roach broke my focus on nature’s impetuosity as it scurried across the bottom of the window next to me.  Now that’s too nasty, I leaned to the side to let his little body pass me.

I thought on the subject and wrote messily and though my script was shaken by Saint Rita’s vibration, I kept my dictation steadily.  I envy their industry, their limitless energy and intrinsic simplicity these four winged, eight legged, thousand-eyed creepy crawlies.  I loathe their bodies, terrified that their whispered touch hides a sting.  And so I massacre these little things.  Kill without conscience.  And so I fear their vengeance for their many slain brethren and crushed babies.  I fear they will swarm me with a ravenous insect army.  Yes these little monsters intimidate me because despite the market or the weather, whether in war or in peace, in trouble and in the rubble left behind, the little things remain, still.  They must be in God’s grace or just goddamned hard to kill.

And then I thought, that’s not half bad.  Then I thought, I’m still awake.



Wednesday, January 16, 2013

I'm battling in Write Club this Wednesday

If you can't make Mass Transit Muse this Thursday, come check me out as one of six competitors in Atlanta Write Club writer's death match this Wednesday, January 16th at 9pm,  Highland Ballroom (644 North Highland Avenue, Atlanta 30306).  Though the loser doesn't go to the gallows, the winner picks a   charity to receive the proceeds from the show.  Here's a Creative Loafing article about write club, fyi.  The show starts at 9pm, should be done by 11 and will be lots of fun!

P.S.... The winner is chosen by loudest applause so if you can make it come support your boy!


Write Club Atlanta
Tonight, Wednesday January 16th @ 9pm
Highland Ballroom
644 North Highland Avenue, Atlanta 30306.

Monday, January 14, 2013

Mass Transit Muse Workshop at 7 Stages

Get a sneak peak into the progress of the upcoming stage-adaption of my novel Mass Transit Muse...

With a full production coming in February 2014, this is a workshop and performance reading, a rare opportunity to see the early evolution of a groundbreaking new play.  An ensemble piece that features the amazing multi-talents of actor/vocalist Dorothy Bell, dancer/actor Lillian Ransijn, and poet/musician Manny Rivers, Mass Transit Muse is a raucous ride with some unforgettable characters who offer insight into the human condition and our journey through it together.

I welcome you to come to 7 Stages this Thursday, January 17th at 7:30 pm to experience it as a part of 7 Stages New Performance Lab Series.

Here's a blurb about the play from the 7 Stages cite:

Written in rhymed and metered prose and spoken-word poetry, with dynamic visual and musical accompaniment, ‘Mass Transit Muse’ follows a city bus on its journey through the city, and tells the diverse stories of the riders we encounter. The theme of the performance is the transition from dislocation and disconnection back to connection and community. The central analogy is the city bus—as we move on our journey together, our shared experience depends on how we treat one another and what we can learn from each other.


Saturday, December 15, 2012

The Parable of The Punchline

Get it?  Another ARTSTRIKE submission... where's yours?  Get it in!  The day of action is this Monday Dec. 17th!

This Time live at Java Monkey

Filmed last week... one of my submissions to ARTSTRIKE!  Add on folks, contribute!!!

Sunday, December 9, 2012

On ARTSTRIKE! and CathARTsis...

Bad news.  All the wonderful content I've been gathering, creating, and curating to get in the Rebuild the Dream art for justice pipeline is gone... My house was burglarized, my computers stolen.   I've been licking my wounds for a day and a half....  

If only the desperate soul who risked coming in my house (and this knucklehead took a big risk breaking in where I raise my children) had known the true value of what they took, that we are helping to tell his story of desperation, that we write, sing, paint, perform, create for all of us including him and his folks...

Regardless, I still fight for the desperate millions across America.  We still create to remind folks of what we lose with social service cuts and what we gain with investment in education, infrastructure, and environmental sustainability.  The mission is unchanged, and I am more determined to tell the stories America needs to hear.  And so I hope you contribute to...

ARTSTRIKE!
Art in Action

New Submission Period: Dec 10 - Dec 17, 2012
Email Submissions to joinartstrike@gmail.com or via ARTSTRIKE.tumblr.com

ALL SUBMISSIONS WILL BE POSTED ON ARTSTRIKE.tumblr.com

Upworthy has agreed to post the top 10 submissions.  Rebuild the Dream will push to a membership of 600,00+.  It's hard for artist of conscience to reach a mainstream audience.  Here's our shot.  Let's take it!  I lost work I had been crafting for a month, but the opportunity is too big to give up.  I'm going to submit as much as I can recreate in a week... get your stuff in too!!!

We are stopping business as usual.  No more leaving real people out of debates about what to cut.  No more suppressing good ideas because corporations can't get richer off them.  No more denying the truth.  Submit your design, music, poetry performances, photos, songs, monologues, comedy skits, and whatever it is you do... get it in front of thousands, hundreds of thousands, millions of folks looking for inspiration and information about the fiscal (bluff) "cliff" the media is yapping about...   

Saturday, November 24, 2012

Deadline extended to next week!


The opportunity to submit work to help tell the true story of what's at stake with the so-called "fiscal cliff" is still at hand...  

We have some exciting things in the works including a Black Friday guerilla poetry performance by Atlanta's youth slam team, a wood-cut print in the vintage political poster style, and comedic shorts about the consequences of cutting programs for the poor and middle class.   Because this good stuff is on the way and because we want you to take time and craft your best work, the deadline is now extended one week to December 1, 2012.  

Here is a bit of the content coming in.  Check it out and consider what you can add to the story we are telling together!  
  • Tax Breaks for the Rich, by The Tijerina Band - A live performance of a classic rock anthem about who loses when the rich gain tax breaks
  • Get up, Get down, by King Yahshuah - A youtube upload of a present day classic hip-hop call to get up and get busy for what's right.
There's another call today to answer questions, share ideas, etc. at 12:30 EST, 11:30 Central, 9:30 Pacific.  The call in info is below, and below that is a so-called "fiscal cliff" fact sheet FYI, for your inspiration.  Head Start and school meals, WIC and CHIP, Title I grants (school improvements in poor areas, special education, closing achievement gap) and Community Block Development Grants (which fund disaster recovery, neighborhoods hit hard by foreclosures, as well as playgrounds and libraries) and more or on the chopping block.  

With this opportunity we can now do more than paint murals, more than spoken word at a rally... we now have access to 600,000+ hearts and minds eager for some inspiration.  Lend your genius and creativity to the mission of informing people about what's at stake in this so-called "grand bargain" that Van Jones calls a grand swindle...

Join the call for more information today, Saturday 11/24 @ 12:30pm EST, 11:30am Central, 9:30am Pacific.  Call in info:  

1.
  Please join my meeting, Nov 24, 2012 at 12:30 PM EST.
https://global.gotomeeting.com/join/872342013

2.  Use your microphone and speakers (VoIP) - a headset is recommended. Or, call in using your telephone.

Dial +1 (213) 493-0614
Access Code: 872-342-013
Audio PIN: Shown after joining the meeting

Monday, November 19, 2012

Get It In!!!


Here's a fact sheet that explains some of the consequences of the fiscal cliff.  It's serious business... School lunches, Head Start, Children's Healthcare Insurance Program, WIC, food stamps, Community Development Block Grants and more are all on the chopping block.  I know you can tell stories of the real hurt these types of cuts would cause.  Please lend your genius and creativity (in whatever artistic genre) to this effort to move hearts and minds across America.

There's lots in the below fact sheet to draw creative inspiration from... Like the fact that the average TAX CUT the richest Americans get is more than the average household INCOME of 99% of Americans...  

Get pissed off about it... then put your fire in some art and get it out to people who need clarity, inspiration, and motivation to get active and do something about it.  The only parameter is that it has to be relevant, and specifically responsive to facts like these:




The deadline to submit work is November 24th, so get something in as soon as you can.  Upload to Youtube, Vimeo or some website that allows you to send me a link at 5dstorytelling@gmail.com.  Email me if you have questions or concerns, or if you might need an extension to submit your most polished work.

Remember, Van Jones and Rebuild The Dream have a 600,000 person list and is connected to millions more through partners like MoveOn.org.  Not many folks have submitted which means your work will get a longer look (So get it in!).  Submit whatever you have even if it has B+ production values.  A+ production people will see it and, if it's compelling material, may close the gap in your resources.  But you gotta show up!  

I'm putting my songs, poetry, and acting skills in and if I'm one of the few that submit material, it's that much of a better chance my work gets out there.  But we need the best content, so that means you amazing artists must put your work in... Get it in good people!!!

Mike

Thursday, November 15, 2012

A Rare Opportunity for Artists of Conscience


I'm tired of playing small.  The art I create comes from a place of deep affinity for all people and as such has mass appeal.  I'm ready to reach bigger audiences than I have as an independent artist of conscience, and finally there's someone with mainstream access looking for my type of content.

This is a rare opportunity.  Mainstream media offers little access for progressive, politically thoughtful artists.  We now have an access point in Van Jones and Rebuild The Dream.  Links to our videos, music, images, and other digital content will be pushed to a massive audience if we can craft art that responds powerfully to the latest mainstream media drama:  the so-called "Fiscal Cliff" looming on December 31st.  

By now you've probably heard about how important an issue the "fiscal cliff" is for everyone in the nation.  President Obama is sitting down with "Congress, business leaders, and organized labor" to come up with a budget "compromise" that will likely sacrifice important programs for folks struggling now.  But when/how will President Obama hear from the people of America on this issue?  One way is for you to submit some creative content (digital images, video, music, skits, spoken word, comedy, anything!) that helps tell the story of what's at stake for the middle class, young people, elders, and poor folks.  Rebuild the Dream and Van Jones will push the most relevant and powerful content to their 600,000 members and potentially millions more through their networks.   

Here's some source material that can help you craft some content.  Check out these two recent articles about what's at stake with the proposed budget cuts on:



Informational Meeting this Saturday, November 17th at 12:30pm... Spread the word!!

Here is call-in information for a second informational meeting about submitting content.  You'll get all the specifics about how to submit and some guidance as to what Rebuild the Dream is looking for!  If you have content ready to go please send links only to me here at 5dstorytelling@gmail.com and call me at  (678) 296-3691 for more information.  Otherwise come call in this Saturday at 12:30...

1. Please join my meeting.
2. Use your microphone and speakers (VoIP) - a headset is recommended. Or, call in using your telephone.

United States:  +1 (213) 493-0614
Access Code: 122-727-117
Audio PIN: Shown after joining the meeting
Meeting ID: 122-727-117

Monday, November 5, 2012

A Call to Artists... Van Jones Wants You!!!


You may have seen Van Jones, former Obama advisor on Green Jobs, as a lively and refreshingly progressive voice on CNN or on The View with Prince and Rosario Dawson talking about their new partnership.  But Van also leads Rebuild The Dream, an organization that promotes progressive public policy through on-line activism.   
After activating more than 600,000 supporters toward some significant policy victories, Van andRebuild The Dream are planning a major push immediately after the presidential election, no matter who wins.  With a staff of committed activists, policy wonks, and Van's growing national influence, Rebuild The Dream is a formidable force.  But Van thinks something is missing and he think it's us.
Van is a great communicator, but he recognizes that creative arts and cultural expression hold the keys to people's hearts and minds.  Rebuild The Dream is looking for writers, performers, filmmakers, musicians, visual artists, popular educators and cultural artists of every genre to tell stories that animate what is right and wrong in America, and to produce digital content that helps reframe the conversation around America's looming "debt crisis."  The idea is for Rebuild the Dream to promote digital content that helps to dispel the myth that America is too broke to afford Medicare, Social Security, education and other social safety net programs.  (Click to read Van's recent CNN Op-Ed for a powerful articulation of this)
As a writer and performer, I'm putting my own work in the mix because I recognize this as a great opportunity to do some good while raising my national profile as an artist.  Rebuild the Dream will not only get the best of what's created out to their 600,000 supporters, but will be working to build a network of partners to disseminate the best work as far and wide as possible.  Rebuild the Dream will be accepting content from now until November 24th. Van will join us from L.A. via web at 1pm to talk more about the initiative.  
Please contact me as soon as possible if you want to get involved or come toWONDERROOT on SATURDAY NOVEMBER 10TH at 12:00 if you have great ideas about ways to use the arts to move hearts and minds, or just want to know more!  You can also join via phone or webcam by using the following directions:

1.  Please join my meeting, Nov 10, 2012 at 12:00 PM EST.

2.  Use your microphone and speakers (VoIP) - a headset is recommended. Or, call in using your telephone.

Access Code: 122-727-117
Audio PIN: Shown after joining the meeting
Meeting ID: 122-727-117